Concerning the Spiritual in Art

Concerning the Spiritual in Art

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A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky’s own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own groundbreaking paintings, this book had a tremendous impact on the development of modern art.
Kandinsky’s ideas are presented in two parts. The first part, called “About General Aesthetic,” issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, “About Painting,” Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator, Michael T. H. Sadler, offers additional explanation of Kandinsky’s art and theories, while a new Preface by Richard Stratton discusses Kandinsky’s career as a whole and the impact of the book. Making the book even more valuable are nine woodcuts by Kandinsky himself that appear at the chapter headings.
This English translation of Über das Geistige in der Kunst was a significant contribution to the understanding of nonobjectivism in art. It continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting.


From the Publisher

Spirituality In Art: Two Perspectives

In 1911, modernist painter Wassily Kandinsky published Concerning the Spiritual in Art, a treatise on the meaning of modern art and a challenge to his contemporaries to free their work from traditional bonds. Eight decades later, the distinguished scholar Roger Lipsey penned The Spiritual In Twentieth-Century Art , examined the response to Kandinsky’s call with this exploration of the spiritual content of twentieth-century art.

Kandinsky, Spiritual, ArtKandinsky, Spiritual, Art

Concerning The Spiritual In Art (1911)

A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866–1944), it explains Kandinsky’s own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. His ideas are presented in two parts:

The first part, called “About General Aesthetic,” issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. In the second part, “About Painting,” Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist.

The work continues to be a stimulating and necessary reading experience for every artist, art student, and art patron concerned with the direction of 20th-century painting. (0486234118)

Spiritual, artSpiritual, art

The Spiritual In Twentieth-Century Art (1988)

A compelling, well-illustrated history of art and ideas, this book focuses on the works of such renowned painters as Mondrian, Klee, Picasso, Braque, Duchamp, Matisse, and Brancusi. Lipsey interprets each creation within the context of its conception, examining the movements that inspired each work, from Theosophy and Buddhism to Jungian thought and humanistic psychology. Letters, diaries, and interviews provide insights into the artists’ views of spirituality and the ways in which they approached their work as a form of meditation. The eloquent and knowledgeable commentary is enhanced by 121 meticulously reproduced black-and-white illustrations. (0486432947)

Roger Lipsey holds a PhD in art history from New York University. He is the publisher of Parabola magazine and director of the Society for Myth and Tradition.

Publisher ‏ : ‎ Dover Publications; Revised edition (June 1, 1977)
Language ‏ : ‎ English
Paperback ‏ : ‎ 96 pages
ISBN-10 ‏ : ‎ 0486234118
ISBN-13 ‏ : ‎ 978-0486234113
Item Weight ‏ : ‎ 2.31 pounds
Dimensions ‏ : ‎ 5.43 x 0.2 x 8.54 inches

Customers say

Customers find the book insightful and interesting, providing a philosophical perspective on art. They describe it as an engaging read that provides good information on color theory and composition. Many consider it a valuable resource for those interested in modern art history. However, some readers have issues with the cover image and blurry photos. There are mixed opinions about the writing style – some find it essay-like, while others appreciate the clear explanations and insights.

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